Analisis Visual Dalam Fotografi Sejarah Kemerdekaan Indonesia Karya Alex dan Frans Mendur

Authors

  • Martinus Eko Prasetyo Kaparang DKV Universitas Bunda Mulia
  • William Sanjaya Universitas Bunda Mulia

DOI:

https://doi.org/10.31598/bahasarupa.v7i1.1357

Keywords:

composition, photography, journalism, ipphos

Abstract

Photojournalism can depict events that hold meaning. In Indonesia, the inception of photojournalism was led by Alex Mendur and Frans Mendur. Alex and Frans Mendur were photojournalists who captured images of events during the periods of independence, the New Order era, and the Reform era. Besides documenting these events, they also photographed the atmosphere and ordinary people after the independence period. This research aims to understand the role of composition in the photographic works of Alex and Frans Mendur and the extent to which composition was applied. To prove and understand this, the research is necessary. The theory used in this study is the photography composition theory proposed by Budhi Santoso. The research method employed is qualitative descriptive, utilizing the theories of Budhi Santoso and Paul Hill as analytical tools. Based on the analysis conducted, it is concluded that the photographic works of Alex and Frans Mendur employ various compositions. These compositions are used to guide the viewer's focus on specific parts of the image. Furthermore, these compositions highlight subjects such as heroic figures and landscapes, creating an impact within the images. This research is expected to serve as a reference in the field of basic journalistic photography, emphasizing the importance of applying visual composition in capturing a narrative moment, making it easier for the audience to understand and interpret the visual message being conveyed, a practice that dates back to the period of Indonesian Independence.

Downloads

Download data is not yet available.

References

A. Suhendra and A. Ahmad, “Perancangan Film Pendek Drama tentang Digital Addiction Berjudul Digislave,” Jurnal Desain, vol. 10, no. 2, p. 331, Jan. 2023, doi: 10.30998/jd.v10i2.14332.

S. I. Linando and M. E. Prasetyo, “Komposisi Visual dan Tata Cahaya pada Film Netflix Berjudul Squid Game,” vol. 06, no. 01, pp. 20–32, 2022.

Ashari, “Imaji tak Kunjung Padam: Sebuah identitas dan karakteristik foto jurnalistik,” Jurnal IMAJI, vol. 8, no. 1, 2016.

D. P. K. Sari and R. D. A. Yuliantri, “Majalah Bergambar Ipphos Report Tahun 1952-1956,” Risalah, vol. 2, no. 8, pp. 1–19, 2016.

T. C. Susmawanto, “Makna Perjuangan Rakyat Kecil: Studi Foto Revolusi Kemerdekaan dari IPPHOS,” Retorik: Jurnal Ilmu Humaniora, vol. 9, no. 1, pp. 48–60, 2022, doi: 10.24071/ret.v9i1.4569.

J. P. N, “Pesan Sosial Dalam Foto Jurnalistik,” The Messenger, vol. 6, no. 1, 2014.

M. P. Drs. Muh. Nur Latief and M. Habullah Mathar, S.Hi., S.Sn., “Foto Berita Tentang Kemerdekaan Republik Indonesia Tahun 1945, Karya Alex Mendur Dan Frans Mendur”.

R. Setiawan and S. Ag, “Estetika Fotografi,” Research Report Humanities and Social Science, vol. 1, no. 8, pp. 10–11, 2015.

P. Hill, “Approaching Photography : An Introduction to Understanding Photographs,” in Approaching Photography, 3rd ed., 2020, pp. 1–192.

A. A. Martinus Eko prasetyo, Inesia Linando, “ANALISIS PERAN BENTUK WAJAH PADA FOTOGRAFI PORTRAIT KARYA PAULINA DUCZMAN,” Demandia, vol. 07, no. 02, pp. 203–226, 2022, doi: 10.25124/demandia.v7i2.4517.

M. E. Prasetyo, “Kajian Visual Komposisi Simetris dan Asimetris Fotografi Surreal Fashion Karya Natalie Dybisz,” pp. 293–301, 2021, [Online]. Available: http://repository.upnjatim.ac.id/id/eprint/2920

Z. Zhou, F. Farhat, and J. Z. Wang, “Detecting Dominant Vanishing Points in Natural Scenes with Application to Composition-Sensitive Image Retrieval,” IEEE Trans Multimedia, vol. 19, no. 12, pp. 2651–2665, 2017, doi: 10.1109/TMM.2017.2703954.

Y. Erlyana, “Peran Komposisi Pada Foto Editorial Disney Dream Portrait Series¬ Karya Annie Leibovitz,” Jurnal Dimensi DKV Seni Rupa dan Desain, vol. 2, no. 1, pp. 17–32, 2017, doi: 10.25105/jdd.v2i1.1875.

B. Santoso, “Bekerja Sebagai Fotografer,” in Bekerja Sebagai Fotografer, 2010.

A. P. Gunawan, “Pengenalan Teknik Dasar Fotografi,” Humaniora, vol. 4, no. 1, p. 518, 2013, doi: 10.21512/humaniora.v4i1.3460.

M. E. Prasetyo and S. Everlin, “VISUAL ANALYSIS OF LEE JEFFRIES ’ INSTAGRAM PHOTOGRAPHS,” Capture, vol. 14, no. 1, pp. 49–60, 2022, doi: 10.33153/capture.v14i1.4491.

J. , & H. X. Liu, “An empirical study on the impact of visual composition on the effectiveness of photographic communication,” Journal of Industrial and Intelligent Information, vol. 3, no. 1, pp. 22–28, 2016.

Downloads

Published

2023-12-31

How to Cite

[1]
M. E. P. Kaparang and W. . Sanjaya, “Analisis Visual Dalam Fotografi Sejarah Kemerdekaan Indonesia Karya Alex dan Frans Mendur”, bahasarupa, vol. 7, no. 1, pp. 58-67, Dec. 2023.