Desain Layout Buku Tipografi untuk Kemasan dengan Metode Design Thinking
DOI:
https://doi.org/10.31598/bahasarupa.v6i3.1299Keywords:
Typography, packaging, bookAbstract
The appropriate utilization of typography holds substantial significance as it directly influences the visual perception of a brand. Typography serves as a visual manifestation of a brand, wherein the distinctive characteristics of each letter reflect the brand's overall image. Similarly, within the domain of packaging design, typography assumes a critical role in upholding brand identity. Recognizing the urgency of this matter, the present study endeavors to develop an informative compendium that exhibits the application of typography in packaging design through visually captivating presentations, complemented by case studies of well-known brands prevalent in the Indonesian market. Employing the design thinking methodology, which entails problem-solving through product development, this study culminates in the production of a book that showcases typographical content presented in an uncluttered layout, emphasizing the significance of typography while elucidating its contents. The study presents its findings in the form of a book showing typographical content, meticulously designed with a clean layout that highlights the exploration of typography within the book's contents. The significance of this research stems from the demand for comprehensive and visually engaging resources that demonstrate the application of typography in packaging design, aligning with the evolving requirements of the digital economy industry and the educational needs of Visual Communication Design students in Indonesia.
Downloads
References
T. Murtono, “Penguatan Citra Merek Batik Dengan Tipografi Vernacular,” Acintya, vol. 6, no. 2, pp. 114–125, 2014.
M. Pradika, I. W. Swandi, and I. W. Mudra, “Kajian Ilustrasi, Tipografi, dan Warna dalam Membentuk Estetika pada Desain Kemasan Pod Cokelat Edisi Dark Chocolate Bali,” Prabangkara J. Seni Rupa dan Desain , vol. 24, no. 2, pp. 59–63, 2020, [Online]. Available: https://jurnal.isi-dps.ac.id/index.php/prabangkara/article/view/1215.
D. Sihombing, Tipografi dalam Desain Grafis. Jakarta: Gramedia, 2015.
R. Carina, “Penggunaan Huruf Dekoratif Dalam Tipografi Kinetis,” J. Dimens. DKV Seni Rupa dan Desain, vol. 4, no. 1, p. 17, Apr. 2019, doi: 10.25105/jdd.v4i1.4558.
Y. Erlyana and Y. Hansen, “Tinjauan Tipografi Pada Poster Film Horor Indonesia Garapan Rizal Mantovani (Analisa Dengan Prinsip Pokok Tipografi),” J. Ruparupa, vol. 3, no. 1, pp. 17–28, 2014.
Y. Erlyana and Ressiani, Basic of Packaging: Belajar Kemas Kemasan, 1st ed. Yogyakarta: Graha Ilmu, 2020.
Y. Erlyana, “Analisis Peranan Desain Kemasan Terhadap Brand Identity Dari Sebuah Produk Makanan Lokal Indonesia Dengan Studi Kasus: Produk Oleh-Oleh Khas Betawi ‘Mpo Romlah,’” in National Conference of Creative Industry, Sep. 2018, no. September, pp. 1079–1097, doi: 10.30813/ncci.v0i0.1316.
Y. Erlyana and R. Ressiani, “Perancangan Buku Desain Kemasan ‘Basic of Packaging,’” ANDHARUPA J. Desain Komun. Vis. Multimed., vol. 6, no. 02, pp. 160–172, Aug. 2020, doi: 10.33633/andharupa.v6i02.3390.
Y. Erlyana, “Perancangan Buku Informasi Tentang Jamu Sebagai Bentuk Pelestarian Warisan Budaya Indonesia,” NARADA, J. Desain dan Seni, FDSK-UMB., vol. 5, no. 2, pp. 99–110, 2018, [Online]. Available: http://publikasi.mercubuana.ac.id/index.php/narada/article/view/4046.
A. Kusrianto, Pengantar Desain Komunikasi Visual. Yogyakarta: Andi Offset, 2009.
S. Rustan, Layout Dasar dan Penerapannya. Jakarta: Gramedia Pustaka Utama, 2018.
A. C. Silva and M. M. Borges, “Hybrid publishing design methods for technical books,” Electron. Libr., vol. 34, no. 6, pp. 915–926, Nov. 2016, doi: 10.1108/EL-02-2016-0035.
T. Brown and J. Wyatt, “Design Thinking for Social Innovation,” Dev. Outreach, vol. 12, no. 1, pp. 29–43, Jul. 2010, doi: 10.1596/1020-797X_12_1_29.
Y. Yulius and E. Pratama, “Metode Design Thinking Dalam Perancangan Media Promosi Kesehatan Berbasis Keilmuan Desain Komunikasi Visual,” Besaung J. Seni Desain dan Budaya, vol. 6, no. 2, pp. 111–116, 2021, doi: 10.36982/jsdb.v6i2.1720.
Sugiyono, Metode Penelitian Kombinasi (Mixed Methods), Mixed Meth. Bandung: Alfabeta Bandung, 2016.
A. J. Elliot and M. A. Maier, “Color-in-Context Theory,” in Advances in Experimental Social Psychology, 1st ed., vol. 45, Elsevier Inc., 2012, pp. 61–125.
M. Kuniecki, J. Pilarczyk, and S. Wichary, “The color red attracts attention in an emotional context. An ERP study,” Front. Hum. Neurosci., vol. 9, no. APR, pp. 1–14, Apr. 2015, doi: 10.3389/fnhum.2015.00212.
L. Eiseman, The Complete Color Harmony, Pantone Edition: Expert Color Information for Professional Results. UK: Rockport Publishers, 2017.
L. Wongso and Y. Erlyana, “Perancangan Light Novel Sitti Nurbaya dengan Ilustrasi Cat air,” vol. 3, pp. 26–37, 2019.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Yana Erlyana, Winnie Winnie, Veronica Veronica
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The author's copyright in the Bahasa Rupa Journal, assigns that the publication of published articles is owned by the editorial board with the author's approval, but the rights are still with the author. The legal rules for accessing digital electronic articles are under license Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0), which means that the Bahasa Rupa Journal has the right to store, modify, manage databases, maintain and publish articles without the author's permission, but the author as the copyright holder is still written as it is. Articles published in Bahasa Rupa Journals, both in hard and soft copy forms are available as open access, for educational, research and library purposes, and beyond that purpose, the editorial board of the Language and Language Journal is not responsible for illegal copyright infringement. This journal also applies LOCKSS and CLOKSS archiving.