Fotografi Di Era Media Sosial : Studi “Toko Memorabilia” Karya Agan Harahap

Authors

  • Aji Susanto Anom Purnomo Institut Teknologi Telkom Purwokerto

DOI:

https://doi.org/10.31598/bahasarupa.v1i2.200

Keywords:

photography, meaning, social media, agan harahap, toko memorabilia

Abstract

The development of photography technology in the era of social media currently contribute various problems that need to be studied and reflected. One of them is about the essence or meaning of the presence of "photography" itself. This paper reflect the essence or meaning of photography in the social media based on the theory of reading photographs "cynical phenomenology" by Roland Barthes through a case study study of "Toko Memorabilia" which is one of the social criticisms by the artist Agan Harahap. Memories Commodification  and visual carnivals are two instruments of meaning that the author discovers in his critical reflection journey and will be described further through this study.

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References

[1] Barthes, R., 2000. Camera Lucida, London : Vintage.

[2] Bungin, B., 2007. Sosiologi Komunikasi: Teori, Paradigma, dan Diskursus Teknologi Komunikasi di Masyarakat, Jakarta: Kencana.

[3] Sunardi, St., 2013. Semiotika Negativa, Yogyakarta:Jalasutra.

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[12] Budiman, A., 2017. Studi Logo Event (Acara) Di Daerah (Kajian Ikonografi: Studi Kasus Logo Karya Z. Hanafi di Sumatera Barat). Jurnal Bahasa Rupa, 1(1), pp.51-60.

[13] L.Dianawuri, 2014. Mengartikulasi Tubuh Perempuan Dalam Foto (Studi Pada Seri Foto Nine Months Karya Diah Kusumawardani Wijayanti), Tesis S2, Universitas Sanata Dharma Yogyakarta.

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Published

2018-04-21

Issue

Vol. 1 No. 2 (2018): Jurnal Bahasa Rupa April 2018

Section

Articles

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