Desain Layout Buku Dokumentasi “Kelenteng Boen San Bio” Dengan Teknik Komposisi Fotografi
DOI:
https://doi.org/10.31598/bahasarupa.v6i2.1197Keywords:
Religious Buildings, Cultural Heritage, China, Documentation photographyAbstract
The temple is a religious building which is a cultural heritage. Being a historical value of Chinese culture, the Temple is a place to honor the ancestors (ash house) and Gods and Goddesses with various kinds of typical Chinese ornaments as well as statues of Gods from Confucian beliefs complete with their distinctive weapons, an altar complete with a place to place incense for worship. Boen San Bio Temple was built in 1689 by Chinese traders. The purpose of designing this book is to introduce the wider community to the history of the construction of the Boen San Bio Temple, as well as to protect Chinese cultural heritage in Indonesia. This research uses descriptive and qualitative methods, research to find accurate information about the history, development, culture of the "Boen San Bio" temple building as well as factual and detailed architecture starting from the main part, to buildings on other sides such as the west side, east side, the north and south sides which maintain photography media to produce photography books in order to maintain one of the Chinese cultural heritage values in Tangerang City in the form of the Boen San Bio Temple building. With the photography book, it is hoped that it will become documentation of introductory information about the Boen San Bio Temple for the first time in Indonesia.
Downloads
References
M. Herwiratno Akademi Bahasa Asing, B. Sarana Informatika, J. Cipinang Pulo Maja No, and J.-J. Timur, “Kelenteng: Benteng Terakhir dan Titik Awal Perkembangan Kebudayaan Tionghoa Di Indonesia,” 2007.
L. M. Jayadi et al., “Legenda Pertengahan Musim Gugur Budaya Tionghoa Bagi Pra-Remaja Di Surabaya Abstrak Pendahuluan Metode Penelitian Data ini didapat wawancara secara langsung Pihak-pihak Metode Analisis Data Tujuan Perancangan Tujuan perancangan adalah untuk memperkenalkan,” pp. 1–11.
J. P. Sudirgo, O. B. Wicandra, E. C. Yuwono, and U. K. Petra, “Klenteng Konghucu di Surabaya Pendahuluan,” vol. 21–23, no. Fotografi, pp. 1–10, 2017.
Indonesia.go.id, “Budaya Tionghoa dan Sejarah Perayaan Imlek,” 2019.
Vihara Nimmala, “Perkumpulan Tri .Dharma” Kelenteng Boen San Bio Tangerang,” 2020.
N. N. Redaksi Cakra, “Sejarah Klenteng Boen San Bio,” 2019.
M. E. Prasetyo, “Kajian Visual Komposisi Simetris dan Asimetris Fotografi Surreal Fashion Karya Natalie Dybisz,” pp. 293–301, 2021, [Online]. Available: http://repository.upnjatim.ac.id/id/eprint/2920
Affiifi. Mayssara A. Abo Hassanin Supervised et al., “Perancangan Fotografi Tentang Street Fashion Tahun 2019 di Surabaya,” Paper Knowledge . Toward a Media History of Documents, vol. 7, no. 1, pp. 1–33, 2019.
W. A. Wiksana, “Studi Deskriptif Kualitatif tentang Hambatan Komunikasi Fotografer dan Model dalam Proses Pemotretan,” 2017.
M. Andrianary and P. Antoine, “Perancangan Buku Fotografi Wisata Kota Jambi Book Design Photography Tourism Destination In Jambi City,” vol. 2, no. 2, p. 89, 2019.
G. Natasya, M. E. Prasetyo, and U. B. Mulia, “Kajian Rancangan Buku Cerita Anak Chaka & Chiki : Mengenal Lovebird,” pp. 1–23.
L Eiseman, The Complete Color Harmony : Pantone Edition. 2019.
D. P. Hanapiah, F. H. Istanto, and L. M. Nuradhi, “Implementasi Desain Interior Mandarin Chinese Restaurant ‘The Fortune Chinese,’” Kreasi, vol. 1, no. 2, pp. 39–39, 2016.
L. R. Schiffer et al., “Teratai Di Mihrab Masjid Sang Cipta Rasa Cirebon The Acculturation Influence On The Meaning Of Lotus Flower Ornaments In Mihrab Masjid Sang Cipta,” vol. 18, no. 2, pp. 124–139, 2019.
D. Sihombing, “Tipografi Dalam Desain Grafis,” Jakarta: Gramedia, 2015.
P. Y. Wijaya, “Dosen Jurusan Desain Komunikasi Visual,” pp. 47–54.
J. Wonosantoso, “Perancangan fotografi dokumentasi Klenteng Tay Kak Sie di Semarang,” Petra Christian University, 2009.
R. Martinus Eko Prasetyo, “Pengembangan Video Edukasi Lingkungan Bersih di Pasar Teluk Gong Jakarta Utara,” Seni Nasional Cikini, vol. 2015, pp. 79–92, 2022, doi: 10.52969/jsnc.v8i2i.179.
R. D. Z. John Suler, Perception and Imaging, 5th Editio. New York: New York, 2017. doi: https://doi.org/10.4324/9781315450971.
A. R. JULIAN, “Analisis Isi Layout Iklan Kosmetik Pada Malajah Female Periode Bulan Juli-Desember 2011”.
H. Tjiang, 7 Hari Belajar Food Photography. Gramedia, 2016. doi: 716071956.
Downloads
Published
Issue
Section
License
Copyright (c) 2023 Martinus Eko Prasetyo Kaparang, Shierly Everlin, Angelina Theresia Eva
This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License.
The author's copyright in the Bahasa Rupa Journal, assigns that the publication of published articles is owned by the editorial board with the author's approval, but the rights are still with the author. The legal rules for accessing digital electronic articles are under license 
Attribution-NonCommercial-ShareAlike 4.0 International (CC BY-NC-SA 4.0), which means that the Bahasa Rupa Journal has the right to store, modify, manage databases, maintain and publish articles without the author's permission, but the author as the copyright holder is still written as it is. Articles published in Bahasa Rupa Journals, both in hard and soft copy forms are available as open access, for educational, research and library purposes, and beyond that purpose, the editorial board of the Language and Language Journal is not responsible for illegal copyright infringement. This journal also applies LOCKSS and CLOKSS archiving.
.png)
